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Furkan Öztekin, Piksel.Bülten Read the full interview here.

“Standing in the shadow of Mount Ararat, the biblical resting place of Noah’s Ark, the Metsamor nuclear power plant is ‘aging and dangerous,’ according to the United States government. Like Chernobyl, another Soviet-designed plant, Metsamor has no containment structure, and its seismic location endangers future safety in the area. Akın displayed photographs of ancient stones

For this project, two researchers—a journalist and an art professional—analyzed thousands of pieces of printed material published locally in İstanbul that are significant to various subcultures, such as sports magazines, video games, film reviews, local news, horse racing, and more. In addition to this large-scale survey of print media, Elif Nahide Aslan and Gizem Çetimen

Nysa on the Maeander Nysa on the Maeander, work in progress, work in progress, August 2021 Aphrodisias Aphrodisias, work in progress, work in progress, August 2021 Sardis Sardis, work in progress, work in progress, August 2021 Letoon Letoon, work in progress, work in progress, August 2021 Priene Priene, work in progress, work in progress, August

This artwork is created using playform. “[A] rather perverse exercise in futility” Appropriation of Baldessari’s 1972 video piece, his response to Joseph Beuys’s influential performance, How to Explain Pictures to a Dead Hare. Using playform, a GAN is trained to learn the letters of the alphabet and certain moments of these formal interpolations are rendered as

The Commissions Book is out Atif Akin contributed to this book as an artist and author. “Science is Fiction” is written by Akin on Fictionary of Corals and Jellies and Blood, Sea – leporellos painted and drawn by Janaina Tschäpe as part of a dialogue with marine biologist and ocean explorer David Gruber. Ruba Katrib, Curator at

June 2020, Soho in New York

As part of the Mutant Space, a solo project show that took place at the SUNY Rosefsky Galleries in January 2020, a virtual reality animation has also been experienced by the visitors of the exhibition. The idea of this animation relied on experience in physical space, the animated piece consisted of a replica of the gallery,